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Archives ·
2017 – 2020
Code-based ·
2012 – 2016
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2012 – 2021
Critics ·
1994 – 2011
Hogeweg ·
2014
How (not) to Make Art ·
2016
L'Étranger ·
2014
Photo-collage ·
1992 – 2014
Photo-composites ·
2011 – 2021
RGB ·
2012
Riez ·
2014 – 2016
Screens ·
2016 – 2017
Serious Grounds ·
2017
Recent Work
Paradijsweg ·
2021
Conspiracy Archive no.4 ·
2020
Obscenity Archive no.2 ·
2020
Conspiracy Archive no.3 ·
2018
Tanguy ·
2018
Conspiracy/Obscenity Archive ·
2018
Business Archive ·
2018
Conspiracy Archive no.2 ·
2018
Conspiracy Archive ·
2018
Mixed Archive ·
2018
Obscenity Archive ·
2018
untitled (fact) ·
2017
Clouds and Stripes no.2 ·
2017
Serious Grounds ·
2017
Serious Grounds ·
2017
Screen no.6 ·
2017
Screen no.5 ·
2017
Screen no.4 ·
2017
When in Rome no.2 ·
2017
When in Rome no.1 ·
2017
…
All works
Latest Posts
Screens & Archives:
Exhibition at the joaH kRaus Workshop
·
2021
How (not) to Make Art:
Image Goes Here
·
2021
Monument:
About the print
·
2021
Le Purple ·
2021
Francis:
About the print
·
2021
Studies for L’Étranger ·
2021
Framing the Archives ·
2020
My Kid Could Do That:
Looking at Twombly
·
2019
Aelbert Cuijp on the Couch ·
2019
Exhibition: Zoom-In 1 ·
2019
The First Real Party Since the War:
A Film Fantasy
·
2019
On Formal Concerns in Visual Art ·
2019
On Serious Grounds ·
2019
Moussa:
About L’Étranger
·
2019
Drowned World ·
2019
Hand-made:
Three Quotes
·
2019
The Art Critic ·
2019
Ryoji Ikeda, datamatics [ver.2.0] ·
2018
Ryoji Ikeda at Eye Film Museum ·
2018
Luis Camnitzer, 81 years-old today ·
2018
…
All posts
Tanguy
2018
pigment print
Paradijsweg
Hogeweg no.1
#photo-composites
